Production Archive
It is rare that someone decides to jump ship on a DAW software and then choose a totally different one learning it from the ground up. It is hard as you have to learn a whole new user interface, new shortcuts, new everything. I did this, jumping
Transferring non-linear audio and video when working with sound for picture is accomplished by the use of OMF or AAF files. So what are they, how are they created and how do you work with them in Pro Tools? An OMF (Open Media Framework Interchange), which is
Being able to work fast is crucial and so knowing your keyboard shortcuts will help you to edit whilst playing back. There are many shortcuts that I employ in my day to day Pro Tools editing work and I’d like to share a few of these with
Pro Tools is powerful and knowing fundamental editing techniques Pro Tools has to offer can greatly speed up your workflow so that you stay with the creative spark rather than being bogged down with the process. A key way of speeding up that workflow is understanding nudging
Some effects such as reverb or delay should not be inserted directly onto a track for several reasons. First and most important, if you insert a delay or a reverb unit directly onto a track you will not have any control over the sound of the effect
Like me, I am sure that you have acquired a lot of gear in your years of music making. Synths, drum machines and other such hardware instruments/ sound modules. Soft synths are super flexible and a lot cheaper than actual hardware synths but I doubt that the
Beat Detective is one of the most powerful tools that can be found inside Pro Tools – it is sort of like the Swiss army knife of audio production tools. Throughout this article we will be taking a look at all the things Beat Detective can do
We recently took a look at one of the most powerful tools in Pro Tools, Beat Detective, going through its features and what it can do for you. In order to keep the article decent sized, we decided to create a second article in which we will
The digital age enables anyone to create a professional studio setup with a very limited budget and no real space limitations. Back in the day, you needed the console, which had a large footprint; you also needed tape machines and external gear such as compressors or equalizers.
